About

Growing up, I was captivated by the special visual effects used in films such as The Dark Crystal and Blade Runner. I was fascinated with the ways in which fantastical worlds could come alive using visual magic, appearing so realistic and inviting that any sense of disbelief became suspended. I poured myself over behind-the-scenes books and documentaries to learn as much as possible about the craft, leading me to become the artist I am today.

Through my practice, I experiment with set design, photography, and other disciplines to construct my own fantastical worlds in response to places and stories that inspire me, as well as daydreams and memories that linger with me.

To create my worlds, I predominantly hand-build miniature-scale sets, often using processes such as moulding and casting. I then light and photograph these sets, transcending my imaginary creations into a visual reality. I also experiment with making cyanotypes, photographing landscapes, and creating 3D images using photogrammetry.

Through the craft of world-building, I strive to create immersive spaces through which people can temporarily step outside of reality. I am particularly interested in the ability of fantasy and fairy tales to inspire individual interpretations and associations. I aim to create works which depict magical, peaceful places where the imagination is encouraged to roam, creating experiences in which people can stop, wonder, and smile.